ART IN THE PLAGUE YEAR

UCR ARTS: California Museum of Photography

“There is another world, but it is in this one,” said Surrealist poet Paul Éluard. In this exhibition, artists look to the future, imagining how we move forward from the tumultuous events of the past year. [read more]

BODY
  1. Sapira Cheuk
  2. Mikael Owunna
  3. Jill Miller
  4. Katrina Lillian Sorrentino
  5. Bootsy Holler
  6. Baldomero Robles Menendez 
  7. Kate Warren
  8. Stefano Morrone

NATURE
  1. Kiliii Yüyan
  2. Amy Regalia
  3. John Divola
  4. Jean-Baptiste Maitre
  5. Julia Schlosser
  6. Gaby Lobato

ABSENCE
  1. Sara Jane Boyers
  2. Jody Zellen
  3. Evy Jokhova
  4. Ines Oliveira e Silva
  5. Ens/centrado Collective and Gabriela Elena Suárez
  6. Lewis deSoto

PRESENCE
  1. Evelyn Corte Espinosa
  2. Fernando Velazquez
  3. Qianwen Hu
  4. Lilli Waters
  5. Gionatan Tecle
  6. Karl Baden

RITUAL
  1. Ben Grosser
  2. United Catalysts (Kim Garrison and Steve Radosevich)
  3. Darryl Curran
  4. Deanne Sokolin
  5. Sandra Klein
  6. Wayne Swanson

ENCOUNTERS
  1. Tyler Stallings
  2. Molly Peters
  3. João Ferro Martins
  4. Tony Fouhse
  5. Mark Indig

DYSTOPIA
  1. Peter Wu+/EPOCH Gallery
  2. Jeff Frost
  3. Sara & André
  4. Andrew K. Thompson
  5. Lois Notebaart
  6. Nadezda Nikolova-Kratzer
  7. Caity Fares
  8. Karen Constine
  9. Aaron Giesel
  10. Bill Green

JUSTICE
  1. antoine williams
  2. Stephanie Syjuco, Jason Lazarus, and Siebren Versteeg
  3. Mark Holley
  4. Cambria Kelley
  5. Sheila Pinkel
  6. Sergio Ximenez
  7. Karchi Perlmann
  8. Simon Penny and Evan Stanfield

ABOUT


Art in the Plague Year is an online exhibition organized by UCR ARTS: California Museum of Photography and curated by Douglas McCulloh, Nikolay Maslov, and Rita Sobreiro Souther. UCR ARTS’s programs are supported by UCR College of Humanities, Arts and Social Sciences, the City of Riverside, Altura Credit Union, and Anheuser-Busch.
All works in this exhibition are reproduced with permission of the artists/copyright holders. Works (images, video, audio or other content) must not be used or reproduced for any purposes other than fair use without prior consent of the artists.
© UC Regents 2020
Mark

Andrew K. Thompson

(b. 1972, Temple City, CA. Lives and works in Colton, CA)


Selections from Chemical Landscapes – Scarring Land & Time

Early in the pandemic lockdown, Andrew K. Thompson commenced a set of images under the title Chemical Landscapes – Scarring Land & Time. The photographs depict “an apocalyptic vision of nature’s future,” he states. Thompson is an imperfectionist. He cuts and punctures, stitches and stains. He does to photographs what mankind is doing to the planet. Thompson’s practice has a punk edge. Destruction as creation with metaphoric aims. His markers of scruffy inland Southern California—palm trees, power lines—are intentionally generic: a place, not this exact place. And his work contains a strong streak of environmental activism. “It’s no longer authentic to create pristine images of grand landscapes. That’s obvious. The actual landscapes are falling apart in front of us. On the other hand, if we’re already on the road to ruining everything, there’s an intense freedom in that.”